Her lying, cheating husband betrayed her. Devastated, she quit her teaching job. Now Robyn Rose isn’t sure she has it in her to start over again in the only job she ever really enjoyed—the theatre.
But support for her penniless artistic future is limited, until she meets Joseph James Davis. He is the director of Robyn’s last-chance gig, and has some unique, over-his-lap sorts of ideas about what it takes to keep his stage manager on her best behavior. He also might just be her last chance at love.
Now, if only they can get their lead actress (who is also his ex-girlfriend) to take the stage without destroying their possibility at a future together.
“She’s not just actor crazy! She’s beyond psycho-diva-drama-queen crazy! She’s the kind of crazy that has an actual diagnosis. It comes with pills, twenty-four-hour watches, and small padded rooms. That bitch practically took my head off!”
Joseph stood next to the door, blocking escape by the ranting bundle bouncing around his office. He’d wrangled her into it after he came up on a scene right out of a movie—two beautiful women in the throes of an anything but beautiful cat fight. It was rounded out with co-stars and deck hands pulling the two of them apart.
“Don’t you stand there like I’m overreacting, because you know that I’m not. This has been coming for weeks! I blame you.”
Joseph knew Roby’s feelings on just about everything, but he was still more than curious to see where she was going with this particular proclamation. She often had a poker face, but never a poker mouth, facts that usually led to heated discussions, and often her to a heated backside. This was not a new argument. He knew what she wanted. It was what she’d wanted since the first week Kat showed up. Roby wanted her gone. So, in that regard, he supposed she was right that it was his fault, because he had zero intent of sending their lead actress packing. (PG-13)